Tuesday, March 20, 2012

Ssaliva - RZA

Genre: loops and stuff
Sounds like: smokey haze

Oh hey. How are you? Yeah I know, I had forgotten about this thing too.

New tape from Ssaliva. He's supposed to be Belgian I think. I posted something else by him and now I'm posting this too.  bet there's a whole genre that sounds like this but I don't know what it is. I bet you can find a download link somewhere too if you look (I didn't).

This post brought to you by your extremely dedicated blog author.

Tuesday, February 7, 2012

Kevin Greenspon – Paradise A.D.


Some people say the things in a person’s room are an accurate predictor of their personality. Others say you can tell a lot about someone by what they pack in their suitcase. Or by the type of cereal they buy. The problem with all of these sayings is that they only provide insight into what somebody takes from the world, but not what they bring into it. They’re never about what somebody creates. The things we create are like projections of images and ideas from the mind; projections that aren’t limited by the confines of words. For that reason, looking at what somebody produces can provide more insight into who a person really is.

This is particularly true for Kevin Greenspon. I’ve only known Kevin for about a year, but I feel like I’ve known him longer because I’ve been a fan of his music for a few years. While others hide behind pseudonyms, Kevin performs candidly under his own name and produces some of the most honest and heartfelt music under the experimental music umbrella. His music has a heart that’s bursting with sentiment; a heart that generates movement as if the whole could not function in its absence. It has a mind that’s tactful; conveying thoughtful messages while well-aware that time is finite. And his music has a soul that allow his songs to stay with you long after you’ve finished listening. Kevin brings all of these components together to provide the most important thing missing from most experimental music: the human element. And it’s this human element that binds the creator with the creation, as if they were looking at each other through a mirror.



Note: Paradise A.D. is a fantastic collection of new and previously released music. Pick up a copy here and get to know Kevin Greenspon. Kevin and I also have a split out on Goldtimers. This is a really special release for me since Kevin’s music has been incredibly influential on my own.

Friday, January 27, 2012

Organized Konfusion - Self Titled


Genre: Hip Hop

Sounds like: De La Soul, Abstract Rude,

From my previous posts, this may seem a little bizarre to have me talk about early 90's alternative hip hop, but I have a deep seeded love for it. This includes varying types from intellectual "backpack" hip hop like Aceyalone, to "let's see how gnarly we can get with our lyrics" rap from Cage or Immortal Technique, It all has its place in my heart. Trying to trace back where my endearment for rap started, the earliest memory I have was when my mom got Snoop Dogg's Doggystyle and would sing along everyday on the way to kindergarten.

Organized Konfusion blends various aspects of what makes hip hop appealing to me, the ability to blend unique yet catchy beats, (with a little jazz and R&B into the mix) and display thought provoking lyrical content without sacrificing that "hardness" or edge that most people crave in their hip hop. Listening through their discography, the duo, Prince Po and Pharoahe Monch, both have different approaches and rhyme techniques. Pharoahe has been know to have the strangest lyrical patterns and meter of any rapper, with the closest thing I can relate it to is something off of Hella's Devil Isn't Red. He bounces between varying patterns of rhyme and timing, without sacrificing melody. Prince Po generally is the foundation for the songs as Pharoahe is able to dance around the beat, changing the dynamic every verse. The song "Fudge Pudge" demonstrates this, as Pharoahe in one verse creates a flurry of rhythm in a single melody.

Check it out, so you can be a closet hip hop head like me.





Tuesday, January 17, 2012

Rivière Amur - Bois Flotté


Genre: Drone, Psychedelic

Sounds like: Deep Magic, earlier Pocahaunted

Bois Flotté is like discovering something unfamiliar through the familiar. An alternate perspective on reality. Side A begins with the familiar sound of the ocean, as meditative chants and slow tonal changes emerge from beneath. Crashing waves decrease in force as if Rivière Amur could calm the most violent of seas. Bells chime in the background, like a hypnotist signaling you in and out of consciousness. Don’t fight it. Forget everything you know and accept this new reality. Approach the world with a naïve eye, as if just born. All knowledge is now a priori. Disassociate objects around you from the names given to them. Focus on the aesthetics: shapes, color, and movement. What do you see? What do you hear? Whispered voices and chirping birds in the background have become nebulous and have fused with the droning soundscape. Familiar sounds have transformed into something new. Something radiant. Don’t fight it. You’re now ready for Side B.

Note: Rivière Amur is a musical collaboration between Belgium’s Je Suis Le Petit Chevalier and Pittsburg’s Inez Lightfoot. Purchase a copy of Bois Flotté from I Had an Accident Records.


Friday, January 13, 2012

2011: How Do You Like Your Emo?

I had a lot of favorites this year, but for me the emphasis was upbeat, fist pumping tunes. Being a year where I ended up back in my hometown, displaced after a five year relationship ending, landing a great new job, living in an awesome house with its own name, joining new bands and just a general sense of self worth, these albums resonated with me but not at the expense of awesome riffs. List in no particular order:

Algernon Cadwallader continues with each release to refine and mature that midwest/IloveCapn'Jazzmorethenyoudo emo sound that
is currently flooding the internet. Most importantly, what Parrot Flies also manages to sneak in a Eddie Money-esque riff on the last track of the album aptly named "Cruisin'".

Battles without avant-garde Tyondai Braxton released Gloss Drop, which turned it into a pop album. More Ian Williams in any fashion is a good thing to me. The featured vocalists on Gloss Drop was also a nice surprise, with every artist taking a different approach to the already eclectic sound.

Zona Mexicana
finally put out their self titled 10-inch in November. 15 minutes of what would happen if Tera Melos collided with Cursed. the only way I can describe them is that they are just wild. pure wild punk rock.(There is post about them on this blog)

Glocca Morra's
Ghoulish Intentions managed to do something I never thought of/seemed possible: a twinkly emo band made a record that sounds like it came off a Mclusky b-side. Made me wish there would be some more Mclusky someday.

The Speed of Sound In Seawater (I like to call them Speedwater) has the technical nerd riffage that gets all the math rock boys in a frenzy, but utilizes the vocalist's youthful and melodic approach that puts them in a bedroom pop space so your girlfriend can get into them just as you do. Immediately personable yet maintains catchiness, their third release, Underwater Tell Each Other Secrets is their best work, and a full length needs to follow.

If I had to pick one album for the year, it would have to be Prawn's You Can Leave It All Behind.

I have listened to this album more then anything else this year so that constitutes album of the year right? For where I was last year and currently, Prawn just caught me on everything. Great sing along riffs while you hug your friends, great post-rock riffs that come straight out of a Mogwai album and lyrics that are not cryptic, (a problem with a lot of these bands) but clear and concise. I generally could care less about vocals/lyrics in a band, but this album changed that. Its 2012 and this is still a constant in my car. I was lucky enough to actually play with these guys this summer, which just sweetens the whole deal.

Please give it all a listen, so you can scoff at how I still listen to bands that talk about problems you had when you're 16 and how they are the same when you are 24.

Friday, December 30, 2011

Chuckin' up the deuces to 2k11

Steve jobs made me forget how to enjoy music. I get so overwhelmed knowing that I can listen to any song in my iTunes library with the click of a button that I barely finish listening to a song before skipping to another. I’m absolutely pathetic! And I listen to tapes because I am so pathetic. Tapes remind me that I have an attention span. When I put one on, I don’t think about what other music could be listened to outside the casing of the tape deck. I’m intent on giving my full attention to the album and it’s usually the only way I can appreciate an album as an independent piece of music. For that reason, I decided to limit my end-of-year music list to the 60-something tapes I accumulated in 2k11. Rather than mulling over all of the crap I downloaded into iTunes, I figured limiting my denominator to tapes would help me choose my favorites. This wasn’t as easy as I originally thought since I bought/traded these tapes for a reason (i.e., they were already some of my favorites). Ugh, I feel pretty lame putting together one of these lists. Oh well, here are some of my favorites (Note: Albums are listed alphabetically by artist name. Yes, it’s a copout.).


Jon Barba - If we say it in unison…

2k11 was the year of the Barba. Dude put out some great stuff and it was tough choosing my favorite because everything Jon Barba does amazes me. If you’ve never heard Jon, this is a great starter album since it’s filled with catchy jams, great lyrics, and a general feeling of angst/apathy. Pick up a copy of this bad boy from Bridgetown. I predict 2k12 will be the year of the Kidman.

Asthma by Jon Barba


Kevin Greenspon – Common objects

I love this album so much that I own the LP, cassette, and mp3s. Needless to say, the cassette version is my favorite. I can easily pop this one into my Walkman and listen to it over-and-over again for hours at a time. It’s completely flawless, totally lush, and utterly heartbreaking. This one is guaranteed to send chills down your spine. The cassette version was a limited tour only edition, but you can snag a copy of the LP from Family Time or Bridgetown.

Kevin Greenspon - Threshold by Family Time


Mandarin Dynasty - Perpendicular crosswalk

I listened to this album about eight times the first day I got it. It’s not fuzzy. It’s not buzzy. It’s not drenched in reverb or delay. Well, then what is it?! It’s the best pop album I’ve heard in a long time. It doesn’t need to hide behind effects to sound good. Don’t believe me? Listen to the song below and tell me you don’t want to bang your head! After all, when was the last time you listened to something that made you want to bang your head?! Pick up a copy from Bridgetown and thank me later.

Mandarin Dynasty - Lap Steel Blues by Mandarin Dynasty


Motion Sickness of Time Travel – Dreamcatcher

Do you ever feel empty? Like you want something but can’t identify/articulate what it is? I was feeling that way about music before this one reached my front door. Dreamcatcher filled the void and told me what to want. I couldn’t have imagined anything like this before hearing it. It was like discovering a vibrant new planet in the dark abyss of space. Dreamcatcher is not of this world.


Nova Scotian Arms - Winds over Silmäterä

Winds over Silmäterä is a force against which you are defenseless. The oceanic soundscapes of drone and tape loops will pull you in, but the impetus lies in subtleties just beneath the surface. Like a lover that leaves you hanging on every word, you will find yourself at its mercy as you wait for a sign of warmth and affection. Listen closely and you will learn the virtue of patience. You will be rewarded.

Nova Scotian Arms- Veil Hollow (excerpt) by Hooker Vision

Pawko – Pawkward

Pawko's an honest man just trying to sing an honest song, and there's something really special about that given how dishonest the world can be. I haven't enjoyed a folk album for a very long time, but there’s something about this album that will get you thinking about life. It’ll make you ponder your past, recognize your present, and get you excited about the future. It’s equally enjoyable when listened to alone or as background music while hanging out with friends. I guarantee it will stimulate meaningful thoughts and conversation. Pick up a copy from Your Warmth.

Pawko - Little Stalin by halfhourhandshake

Reedbeds - Winds on high

Who the crap is Reedbeds?! In just under 45 minutes, Winds on high delivers everything I look for in a tape from guitar noodling, entrancing synth loops, to contemplative/gentle piano. Reedbeds crosses into disparate territory throughout the album, while bringing it all together under a common theme: beauty. I wish I could articulate exactly how incredible this album is, but you can pick up a copy of from Hooker Vision and find out for yourself.

Reedbeds- untitled (excerpt) by Hooker Vision


Solids – Generic dogs

It took about three weeks for this one to make it into my tape deck because the album art is pretty gnarly. I’m glad I listened because I was reminded of the old "don’t judge a book by its cover" saying. And actually, I really like the album art now. This album sounds like something I would’ve enjoyed in high school but would also enjoy today (and I do). In other words, it’s timeless. Side A repeats on Side B which makes listening to it over-and-over again even easier. Pick up a copy of the tape from L’oeil Du Tigre, or you can get the CD or LP from Machette Records.

Solids - Whatevers and Neverminds by Loeildutigre


Terrors – Inequipoise

I’ll admit that I downloaded this one first, but loved it so much that I had to order the tape. Terrors creates a haunting mix of folk, drone, noise, and field recordings. Lonely, nostalgic, and bittersweet -- Inequipoise is many things, but one thing is certain: Terrors sings the blues. This is bedroom music at its finest. Pick up a copy from Monorail Trespassing.


Vehicle Blues – Koz Park

Didn’t my last post convince you that Vehicle Blues is awesome?! Exhibit B: Koz Park. Never in my life has a cassingle left me so satisfied, yet thirsty for more. Try to find a copy on Discogs.





Monday, December 26, 2011

Burn it All to the Ground - The Worst of 2011

I found this as an unfinished draft from December. It is now March (I don't know what Blogger be will post this as). This isn't really that interesting besides that a) my best of list only has a few things that I consider best of, b) I wrote it right after I had lost my entire music collection and the bitterness just drips off the screen. OH YEAH, and just like this blog, c) it's half-finished and not very well thought-out. Cheers! - Max

I thought 2011 was a horrible year for music. Not because there wasn't anything good released or anything but because for some reason I just stopped enjoying listening to music sometime around last spring. I think it had something to do with me making the decision that I hated everyone and everything. Chalk it up to my choice to live a high stress, low productivity lifestyle. This is still unusual, however, because ubiquitous unfocused hatred is normally a very good motivator for listening to music. I'm not really sure what I'm getting at because this is a very bad way to start a bestof list. Whatever. Here's a lot of stuff I thought was cool.

Big Kids
Algernon Cadwallader
Drunkdriver
Pygmy Shrews
By Surprise
Capsule
Flashlights
Glocca Morra
Monument
Park Ranger Barkwood
Ten Thousand Leagues
Sneeze
Zona Mexicana
My Disco